Nautilus Shell – Golden Mean – 450 Million Year-Old Living Fossil

Personal Creation     The Vesica Pisces     The Mobius Ring     Abundance – Shefa     Sacred Kabbalah Teachings     Hamsa – The Symmetrical Hand     Nautilus Shell – Golden Mean   The Genesa Crystal     Lotus Flower – Virtue     Alchemical Transmutation     The Age of Aquarius     The Seed of Life     Sacred Geometry Part 2     Sacred Geometry Part 3

Having survived almost unaltered for over 450 million years, the Nautilus, (meaning “sailor” in Greek) is one of the only shells to continue from the time of the dinosaurs. Nautilus is therefore often referred to as being a “living fossil.”

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Most of its existence is spent in some of the deepest regions of the sea, and when seen, only seems to come out at night. The Nautilus shell, being a sacred representation for growth and rejuvenation, forms into progressively greater chambers throughout its life, and they are coated with mother-of-pearl.

PHI can be found in the Nautilus Shell

In Hindu mythology, the sacred Nautilus Shell symbolized the multiplicity of creation. The internal elegance of nature can also be represented by the Nautilus Shell. The golden mean number (known as PHI – 1.6180339…) can also be found in the shape of the Nautilus Shell.

PHI – The Geometric Blueprint for Life Itself

Because the digits utterly go on forever without reoccurring, there is no mathematical solution to PHI. The unique thing about this number is that it can be found incorporated in all known organic structures. The universal design of the golden mean seems to be a geometrical blueprint for life itself. PHI can be seen in all biological configurations such as the seed pattern of a sunflower, the spiral pattern of a sea shell, the proportions of human and animal skeletons, and in the patterns of certain types of cactus plants. This value was known by Plato as being “the key to the physics of the cosmos.” While it cannot be worked out arithmetically, Phi can be easily obtained with a compass and straightedge.

The Golden Mean in Art and Architecture

The Golden Mean number can often be found in many forms of art, in symbols of religion, and in architecture. The golden mean is usually seen in the paintings of Da Vinci and Kandinsky. Frank Lloyd Wright designed the Guggenheim Museum like a shell. Whatever exhibits the golden mean measurements, whether it be a face, a work of art or a building, people will tend to find it quite elegant.

The phi ratio can be recognized in the composition of the Great Pyramid in the triangle created by the height, half-base, and the apothem, or diagonal. The Golden Section can be found in the main cross-section of the structure. If the half-base is given a value of 1, this gives the value of phi for the apothem, and the square root of phi for the height. The Golden Section can be found to show up repeatedly in Giza and in much more mysterious and exhausting ways. There are many publications (entire volumes of diagrams and written material) available regarding the geometries involved in the pyramid’s construction.

How to Determine the Golden Mean

The Golden Section can be found in two fairly straightforward ways:

Method one: If you take two equal squares, side by side, (a 1×2 rectangle), divide one of the squares in half, and with a compass, swing the diagonal down to the base of the other square, the point where the diagonal touches the base will be phi, or 1.6180339+, in relation to the side of the square, which is 1 (This formula also describes exactly the rectangular floor of the King’s Chamber).

Method two: The other method of determining the Golden Section is by dividing a line segment, AB, at a point C, in such a way that the whole line is longer than the first part in the same proportion as the first part being longer than the remainder. AB/AC = AC/CB = 1.6180339 (notice the fractal and holographic nature of this ratio…).

To original article and illustrations >> Nautilus Shell and please visit the original Sacred Jewelry website.



Sacred Geometry… the Design of Creation

Sacred geometry illustrates the unity of life in our world like no other field of study can. The sacred geometry symbol, Flower of Life, for instance, adorned churches, cathedrals, temples and pyramids for centuries with its amazing beauty, while bridging all manner of religions, cultures and times. There seems to be something deeply natural, spiritual and aesthetically pleasing about the Flower of Life, for example. From both a mystical and analytical direction of approach, the concepts of sacred geometry have always been quite fascinating. This subject is ancient, vast and versatile. Nearly all classic artwork and architecture is based on it. Sacred geometry can be either taught for scientific reasons or enjoyed for its mystical and spiritual enrichment.

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